My consciousness was established in the foothills
of the Blue Ridge Mountains in the farmland outside Middleburg, Virginia, in
the late 1960s and early 1970s. It was a complicated childhood, and nature was
my refuge.
Things that I remember.
The springtime celebration of aspen leaves fluttering in the
breeze; the invasion of tiny helicopters from the old oak trees along Goose
Creek in the fall.
Hot fields of goldenrod and thistle buzzing with rusty
grasshoppers and horseflies.
Tufts of animal fur in the abrasive bark of the black locust
trees.
Peeling the buttery smooth bark from the sycamore trees and
making little canoes to float families of bugs down the creek.
Deposits of grey, wormy scat.
The white-tail deer who would linger outside the goat pen in
the dusk. The deer wanted to get in and the goats wanted to get out.
Cutting paths through the chaotic bramble on the hillside
above the pond.
The weightless clutch of their tiny feet when chickadees
would land on my hands to take sunflower seeds from my palm.
The friendly song of the bob whites, though they were too
shy to ever let you see them. The wailing geese that brought Bob Alexander
thundering through the brush because he thought dad was drowning in the pond.
Blacksnake stretched out on a hot, flat rock, its belly
bulging.
My whole stringer of bluegills and largemouth bass eaten to
their gills by a snapping turtle the size of a hubcap.
The earthy smell of my hands after I’d spent the afternoon
steering a patient box turtle down the corridors I had carved in the weeds.
The frantic braying of the dogs when they treed a gopher,
and the sharp crack of Mr. Pearson’s .22 that spun his fat body off the branch
and to the ground with a dull thud. The disappointed dogs dragged their tongues
back up to the porch, where they lay on the cool stone patio snapping at the horseflies.
“You ain't got a gun?” Mr. Pearson asked, scratching the
scalp under his Massey Ferguson baseball cap. “This ain't like the city, now.
Y’all need to have a gun.”
Also from Mr. Pearson, “You ain't need be ‘fraid of no
niggers. They ain't no more harm than old Shep here,” he said roughing the ears
of his grey-eyed and arthritic hound. “I can tell her, Now you go on up to the
house and sit on the porch and I’ll be along shortly, and she do just that.”
But that’s an aside.
The tangled mass of squirming babies that spilled from the
guts of the bloated black rat snake when Joe McCormick ran over her with his
tractor.
The smooth cove where the two huge trunks of the live oak
tree came together that seemed perfectly sculpted to cradle the body of a young
boy seeking shelter from a troubled life.
The frantic, slimy tadpoles held between cupped hands in the
shallows. The impossibly quick backwards escape when the crayfish saw the
shadows of your hands hovering overhead.
Skulls of possums and rats in the dusty crawlspace under the
abandoned house. Tracks of deer, red fox, bobcat, coon and possum crisscrossing
soft mud or fresh snow. Following deer tracks to the stands of spicebush, where
would flock clouds of metallic blue swallowtails. The deer would chew the bush
to its nubs, the fat, bright green caterpillars like sweet bits of fruit.
The shards of busted out window glass under my pale thighs
when I slid across the seat of the old sky blue pickup truck that sat abandoned,
tires rotted flat, sunk to the axles in the McCormick’s back field, cows the
size of elephants stretching through the vacant window and rubbing me with
their snot and slobber. I couldn't understand how they could let flies walk on
their eyeballs. Mud daubers with their stingers stretched out behind buzzing
against the windshield.
Spending a summer week building a dam in Aldie Creek, and
then finding that the beavers built a better one overnight.
The exuberant acrobatics of the swallows at dusk. Spastic
bats flopping around, shadows against the blue black night sky. The glorious luminous
yellow and green Luna Moth pressed flat against the stone wall by the back
light at “damn near midnight”, so said the grown-ups.
Translucent egg sacs under the branches of the fir trees.
Salamanders exploring the foreign territory of my hands and
finding nothing leaping back into the creek.
Ant colonies like huge, moth-eaten quilts of sand and twigs
spread out in the prickly hot sun.
Conical mounds of clay, miniature volcanoes spewing lava of
nervous fiery red ants. If you stood still to watch, they would leave burning
welts up your calves.
Waking up from dozing in the soft, damp weeds where the
creek snuck under the barbed wire fence into the Alexander’s farm, chiggers
chewing holes in my crotch and pits.
Churning bramble, bright with tiny flowers or drooping with
dark fruit. Harvested berries with pricks of blood, honorable wounds for a
heavily seeded pie. Digging sassafras root for its sweet summer brew, wild
asparagus from the dry ditch along Aldie Dam Road.
Civil war battlefields of fat poke berries, who would spill
their bright crimson blood into the sandy clay when sticks and pebbles flew.
Clusters of monarch butterflies battling for the pink
milkweed flowers.
Oily rotting seed husks around the base of the black walnut
trees that would make tomato plants wither and die.
I'm old now. The trails are paved. I stroll along, hands
clean, remembering how it used to be.
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